February 2012
37 posts
Feb 22nd
4 notes
“The story [Rihanna] wants to tell is the one in which the endangered woman...”
– Ann Powers on Chris Brown, Rihanna and occupying the emotionally difficult space where blues women, country singers and girl groups once trod.  (via nprmusic) (McNutt: So glad for great writers Powers who are trying to actually analyze this difficult, confounding situation. It’s always easier...
Feb 22nd
139 notes
“What I found off-putting about the concert was that the emotion from the crowd...”
– Having seen Mangum twice last year at All Tomorrow’s Parties (Asbury Park), I think Evan Rytlewski is very close to being correct in his AV Club “Why Don’t You Like This?” debate with Josh Modell, but also very wrong. He’s correct in that there’s good deal of...
Feb 22nd
Feb 22nd
22,066 notes
Feb 22nd
1 note
Feb 21st
Feb 18th
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Feb 18th
2 notes
My piece on gender, music writing and the Grammys ended up in conversation with Jian Ghomeshi and Sarah Liss on CBC’s Q today. You can listen to it here (skip to about the 50-minute mark).  I’m flattered that the essay is resonating with people. It took a lot of Sunday night sweat to pull together, and it deals with several sensitive subjects, so it’s very rewarding to know that...
Feb 16th
2 notes
Feb 15th
7,443 notes
Feb 15th
3 notes
Feb 15th
1 note
Feb 14th
2,339 notes
Feb 14th
...in which McNutt reflects on The Grammys, Adele,... →
It took 2,000 words, but I managed to somehow tie together almost everything I wanted to write about this week. The exceptions: Karmin (who I want to get to next week) and Whitney (where the Abebe piece I posted last night kind of says it all)
Feb 13th
3 notes
blownspeakers: You know, I get that it’s the Grammy’s, so I’m not under the illusion that my favourite bands will perform or anything. But Drake was there and Rihanna didn’t do “What’s My Name?”, Nicki Minaj didn’t do “Superbass”, and Adele didn’t do “Someone Like You.” C’mon now. The Grammys’ eligibility window—October to September—makes for some tension between “what artists are...
Feb 13th
1 note
“It’s telling that when news of Houston’s death spread last night, one of the...”
– Nitsuh Abebe - Whitney Houston and the Burden of Perfection. (Vulture)
Feb 13th
Feb 12th
1 note
Feb 12th
4 notes
Feb 11th
1 note
WatchWatch
Even by Kanye’s standards, he’s really out-seizured himself with this one. Great vid.
Feb 9th
2 notes
Feb 9th
11,199 notes
Feb 7th
499 notes
Metallica Announce Orion Music Festival →
Arctic Monkeys, Modest Mouse, Gaslight Anthem, Fucked Up, Best Coast, Hot Snakes, Titus Andronicus, Liturgy… A nakedly transparent grab for relevance, sure. But this festival is already the least embarrassing thing Metallica have done since The Black Album.
Feb 7th
3 notes
“Danger Zone.” “Just What I Needed.” “Hey Jealousy.” “Modern Love.” “Flagpole Sitta.” “Ignition.” “Panama.” I love that this year’s AV Uncovered lineup is pretty much my personal karaoke list. 
Feb 7th
9 notes
What Hollywood Can Learn From the End of... →
R.I.P., best worst idea of the past decade.
Feb 7th
Feb 6th
1,242 notes
Feb 6th
44 notes
...in which McNutt considers Madonna's pop... →
A piece that was better in my head than on paper (err…Internet?), but given the release of “Give Me All Your Luvin’” and last night’s Super Bowl lip-sync spectacle, I felt it was time to turn some attention to just how fascinatingly obsessed Madonna is with being “relevant” in a pop sense – far more so, really, than any of her peers.
Feb 6th
Feb 6th
Feb 6th
4,826 notes
Feb 5th
Feb 3rd
4 notes
Major purchases
I know that buying floor tickets to two back-to-back Springsteen shows in LA is completely rational to the music side of my brain, but my financial management side is having a serious fit right now.
Feb 3rd
2 notes
Feb 3rd
7 notes
Feb 3rd
Feb 3rd
5 notes
January 2012
9 posts
Jan 29th
Jan 28th
Jan 26th
WatchWatch
Just another Monday night, watching ‘Mats and Westerberg vids.
Jan 24th
Jan 19th
Jan 18th
Jan 16th
13 notes
Jan 12th
5 notes
Jan 10th
December 2011
8 posts
Dec 31st
3 notes
Dec 26th
Dec 19th
63,179 notes
Dec 10th